SyncFPV Studio questions: FPV stabilization, audio sync and editing

Friday, October 23, 2026. Leave your email on the home page and the download link comes to you that day.

The free version stabilizes GoPro and DJI O4 flights, edits on the timeline, grades with the built in LUTs and looks, syncs one camera to one audio file, and exports H.264 up to 4K with no watermark. Studio adds festival and multi cam sync, noise reduction, optical flow slow motion, the auto editor, audio remix, the AI logo, batch export, 10 bit HEVC and every aspect ratio at once.

$99 one time, no subscription. It runs on two computers and includes every 3.x update. If it is not for you, ask for a full refund within 14 days.

The free version is the trial. Run your own flights through it, and you can see every Studio tool in the app before you buy.

No. Free exports are clean H.264 up to 4K.

GoPro HERO5 and newer, and the DJI O4 Air Unit and O4 Air Unit Pro, each from its own gyro data. Record with in camera stabilization off on both: HyperSmooth off on GoPro, electronic stabilization off on O4.

Yes. Stabilization, lens correction and horizon leveling are all in the free version.

Turn in camera stabilization off, use the Wide lens (not SuperView or ultra wide) and the tallest aspect ratio your camera offers, record above your delivery size, and keep the shutter crisp in daylight. Stop jello at the mount with a soft mount and balanced props.

The clip is already stabilized by the camera, so SyncFPV edits, grades, syncs and exports it like any other clip. Gyro stabilization is meant for flights recorded with HyperSmooth off.

Yes. Set Horizon to Free and lower Smoothness to keep every roll and flip without the shake.

No. It was built for festival board audio, the hardest case there is, and it syncs any outside recording: a field recorder at a car meet, a lav at a wedding, a mixer at a game. Studio lines up every camera of the day on one timeline.

No. Film the SyncFPV Slate’s clock check for 10 seconds with each GoPro before the first set and after the last one. SyncFPV finds those clips, measures how far each camera’s own clock is off and how much it drifts, and gives every flight its true time. Slate a flight anyway when you want the artist on the picture.

No, but it makes the clocks easy: Labs sets every camera’s clock from the slate’s code. Without it, set the clock in Quik. Either way the two clock checks measure each camera’s clock, so every flight is placed frame accurate.

One recording per artist set, or one of the whole night (SyncFPV cuts it into sets by the lineup, finding each changeover in the sound). WAV if possible, the raw files, started before your first flight. The recorder’s clock does not have to be right. A setlist is optional and names the songs.

SyncFPV uses every clue it has across the whole night, including each camera’s checked clock, so a flight that heard mostly motors still lands where it belongs, and a track played twice in the night never fools it. Every flight gets a confidence rating, so you know which ones to preview.

Yes. Export from your stabilizing app with audio on. If a stabilized file lost its audio, point SyncFPV to the original GoPro files and it takes the sound from those.

Yes, in two ways. The LUTs for DJI drones are built in, so you can grade DJI footage next to your GoPro flights. DJI sync is in beta: Mavic 4 Pro, Mini 5 Pro, DJI Flip, Inspire 3 and other DJI drones sync to the board audio when the show also has GoPro flights. A show with only DJI footage is not supported yet.

8:7, 16:9, 9:16, 1:1 and 4:5. Studio exports every shape at once in a batch, named and foldered for the client.

H.264 in both versions, and 10 bit HEVC in Studio. Sizes from native down to 720, with AAC 320k or PCM 24 bit audio, the drone mic as a second track, or a synced WAV per clip.

It cuts your selects to the beat of the music with speed ramps, transitions and motion blur. You get a finished reel as a starting point, and every cut stays editable. It is part of Studio.

Both. Windows 10 and 11, and Macs with Apple Silicon (M1 or newer) on macOS 14 Sonoma or newer. There is no Intel Mac version. FFmpeg is built in, so there is nothing extra to install. A graphics card makes exports faster on NVIDIA, Intel, AMD and Apple, but it isn’t required.

Two computers you own, with one license.